Новинка
Architectural guide:Georgia: Soviet Modernist Mosaics from 1960 to 1990
Аннотация
Whilst Soviet modernist buildings in Georgia have enjoyed worldwide recognition for several decades, the art for architecture from that era – monumental decorative mosaics – still await discovery and appreciation from an international audience. Then, as now, these richly coloured mosaics were an independent, yet inextricable part of Georgia’s architecture: they underlined a building’s use, structured its façade, or merged into an elaborate whole. Today, however, many of these works, which were far more than just state propaganda, are under threat of destruction.
For the first time, this volume documents these unique remnants of Soviet history alongside their precise locations. Using vivid photos and detailed texts, Nini Palavandishvili and Lena Prents guide the reader through a diverse selection of mosaics that distinguish themselves from those of the other Soviet Republics.
Характеристики
- Издательство
- DOM Publishers
- Переплет
- мягкая обложка
- Формат
- 135 x 245
- Количество страниц
- 280
Новинка
Акция
Скоро в Екатеринбурге
Акция
Скоро в Екатеринбурге
Акция
Скоро в Екатеринбурге
Характеристики
- Издательство
- DOM Publishers
- Переплет
- мягкая обложка
- Формат
- 135 x 245
- Количество страниц
- 280
Аннотация
Whilst Soviet modernist buildings in Georgia have enjoyed worldwide recognition for several decades, the art for architecture from that era – monumental decorative mosaics – still await discovery and appreciation from an international audience. Then, as now, these richly coloured mosaics were an independent, yet inextricable part of Georgia’s architecture: they underlined a building’s use, structured its façade, or merged into an elaborate whole. Today, however, many of these works, which were far more than just state propaganda, are under threat of destruction.
For the first time, this volume documents these unique remnants of Soviet history alongside their precise locations. Using vivid photos and detailed texts, Nini Palavandishvili and Lena Prents guide the reader through a diverse selection of mosaics that distinguish themselves from those of the other Soviet Republics.