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Bio Design: Nature, Science, Creativity

Аннотация

For centuries, designers and artists have looked to nature for inspiration and materials, but only recently have they developed the ability to alter and incorporate living organisms or tissues into their work. This startling development, at the intersection of biology and design has created new aesthetic possibilities and helps address a growing urgency to build and manufacture ecologically. Bio Design surveys recent design and art projects that harness living materials and processes, presenting bio-integrated approaches to achieving sustainability, innovations enabled by biotechnology, and provocative experiments that deliberately illustrate the dangers and opportunities in manipulating life for human ends. As the first publication to focus on this new phenomenon and closely examine how it fits into the history of architecture, art and industrial design, this volume surveys this shift and contextualizes it through comparisons to previous historic transitions in art and design practices.

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Количество страниц
288
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Характеристики

Переплет
Мягкий
Количество страниц
288

Аннотация

For centuries, designers and artists have looked to nature for inspiration and materials, but only recently have they developed the ability to alter and incorporate living organisms or tissues into their work. This startling development, at the intersection of biology and design has created new aesthetic possibilities and helps address a growing urgency to build and manufacture ecologically. Bio Design surveys recent design and art projects that harness living materials and processes, presenting bio-integrated approaches to achieving sustainability, innovations enabled by biotechnology, and provocative experiments that deliberately illustrate the dangers and opportunities in manipulating life for human ends. As the first publication to focus on this new phenomenon and closely examine how it fits into the history of architecture, art and industrial design, this volume surveys this shift and contextualizes it through comparisons to previous historic transitions in art and design practices.
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